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Created in early 2010, Music Empowers Foundation was established as a private foundation for the purpose of providing funding to nonprofit organizations that offer engaging and innovative music instruction to children in communities where music education either does not exist or is underdeveloped. Music Empowers Foundation is founded on the knowledge that music ignites children's creativity, fosters a sense of accomplishment and empowers them to achieve and succeed in all aspects of their lives.
Jazz Bridge is a nonprofit organization established by a group of caring Philadelphia jazz musicians and fans dedicated to assisting professional Greater Philadelphia Metro area jazz and blues musicians and vocalists in times of crisis by providing confidential and caring support in keeping with their personal dignity. Through donations, grants, Neighborhood concerts, and music bookings, Jazz Bridge assists those coping with emergencies involving health, legal, financial, personal and professional needs, while building an awareness of the local jazz sound and the community of musicians who make it. Help us be the bridge between the music makers and the people who love and appreciate this music.
ISC serves our community through creating inspiring, accessible theater and bringing it to as wide an audience as possible. Our actions and our art are informed by the following beliefs: • Classic plays are our cultural legacy and, like all great art, they are a vital part of forming bonds both within our community as well as to the past. • Diversity within the production, as well as in the audience, creates stronger, more entertaining theatrical experiences. • The audience’s understanding and enjoyment of the theater experience is of paramount importance. • Great writing and skillful performances take precedence over the technical elements of contemporary theatre. • Dynamic speaking and innovative staging are the primary means of engaging the audience’s imagination. • Productions of classical plays should be readily available to all. • There is no greater cause than to expand current audiences and create future ones.
The John Lennon Educational Tour Bus is a non-profit 501(c)(3) state-of-the-art mobile audio and HD video recording and production facility. In its 18th year, with the very newest technology and gear, the Bus continues to be dedicated to providing young people with tours of the studios and participation in free songwriting and multimedia production workshops. With the assistance of three on-board engineers, students learn how to write, perform, record, and produce original songs, produce and shoot music videos and documentaries and complete a broadcast quality music video – all in one day!
Our roots are with an informal organization called Broadway on Site began in 1996. It was designed to bring the theater experience to young students in the north suburban area of the Twin Cities who had a desire to learn about theater (or who perhaps just wanted to be in a play). Broadway on Site continues to offer theater programs through local Anoka Hennepin School District’s Community Education programs. Starting in 2010, Broadway on Site added an “advanced, audition-only group” experience for students who have satisfactorily completed four previous Broadway on Site productions. In 2012 the informal organization producing the advanced shows was organized into what is now known as Northern Starz Theatre.
Masterwork is dedicated to enriching and supporting the cultural life of the community through professional-level choral performances and the promotion of music education.
The mission of The 52nd Street Project, a community-based arts organization, is to bring together kids from Hell's Kitchen in Manhattan, starting at age ten and lasting through their teens, with theater professionals to create original theater offered free to the general public. By building on the core experience of accomplishment and collaboration, the Project fosters a sense of inclusion in a place where the children belong and where their creative work is the driving force. Through long-term mentoring relationships and exposure to diverse art forms, the Project seeks to expand the children's means of expression and to improve their literacy, their life skills, and their attitude towards learning.
The mission of John F. Kennedy Center for the Performing Arts is to fulfill President Kennedy's vision by producing and presenting the greatest examples of music, dance, and theater; supporting artists in the creation of new work; and serving the nation as a leader in arts education.
The Geffen Playhouse is a nonprofit theater arts organization, formally affiliated with UCLA, that is dedicated to enriching the cultural life of Greater Los Angeles through plays and educational programs that inform, entertain and inspire.
The Chicago Theatre Group, Inc. (dba: The Goodman Theatre) productions are created for Chicago, by Chicago artists, and brought to life with passion, commitment, and the highest standard of quality.
Los Angeles Opera created a sensation with its debut production of Verdi's Otello starring Plácido Domingo in October 1986. Under the leadership of Founding General Director Peter Hemmings and then Plácido Domingo, Los Angeles Opera has grown to become a company of international stature. Presenting leading productions in the standard repertory as well as new and rarely-staged operas, the Company brings prominent Los Angeles artists together with other world-renowned singers, designers, directors and conductors to create opera that attracts the attention of international audiences and critics. Since its inception, Los Angeles Opera has served nearly one million students, senior citizens, and other audiences through its internationally recognized Education and Community Programs.
New York City Ballet's contribution to dance in the 20th Century can be measured in many ways, perhaps none more significant than the extraordinary number of ballets - including those by co-founding choreographers, George Balanchine and Jerome Robbins - that the Company has commissioned and that are performed today by dance companies across the United States and the world. Creating such an unparalleled collection of works would not have been possible without the support of contributors who recognized the immense value of furthering the art of ballet through the development of new works. With momentum from an extraordinary 50 years of creative activity, New York City Ballet entered the new millennium committed to further expanding the ballet repertory in the 21st Century by providing opportunities for choreographers, composers, designers, musicians, and dancers to create new work.